Lynne Kelly is a science communicator and teacher. This book (2016) is essentially her PhD thesis, but also an account of her journey to understand the scope and importance of the insights she has gained into the uses of memory in non-literate cultures. Beginning from an interest in the stories told by Indigenous Australians about animals, Kelly developed a theory of memory use by non-literate cultures across the globe.
Kelly starts by explaining the breadth and depth of knowledge that existed in non-literate cultures. Societies that were to any degree nomadic required knowledge of where to find water and edible plants. They needed knowledge of the habits of animals and how to hunt them. They needed to know the forms of the land, the weather, and the seasons. They needed to know their ancestors and their founding myths, who they were, and where they came from, who they could marry and who they could not. They needed to know the terms and conditions of trade. They needed to know secular and ceremonial songs and dances. As hunting and gathering gave way to settled farming, some of the same information was still crucial, but there was further information needed about tools were made and much, much more. How on earth did they remember all this?
She then expands on her theory that people in non-literate cultures used systematic memory aids. Those in nomadic cultures, like Australian Aborigines, who moved about in the landscape, developed what are known in Australian ethnography as song lines, physical and mental maps of the landscape where specific features acted as aids to memory, not just for direction, but for layers of meaning about time and place, seasons, the stars, ancestors, kinship, hunting and so on. Aboriginal people also carried portable memory aids, small objects often marked with abstract patterns, which were understood by those initiated into certain levels of understanding. Kelly establishes that memory spaces equivalent to song lines and portable memory devices existed across a range in quasi nomadic cultures.
A major change in the form of memory aids came about, Kelly argues, when quasi nomadic groups began to settle into farming communities. As they no longer routinely travelled long distances, the ‘song line’ model no longer suited their needs. Instead, they began to build memory spaces near their settling communities. She argues that while some archaeologists claim agriculture freed up time for people to build monuments, she believes the reverse is true: that ‘people needed to build monuments in order to preserve the knowledge system to enable them to settle’. These monuments usually took the form of standing stones or wooden pillars, arranged in precise patterns; there were also mounds, passage cairns and long barrows. Each stone or pillar represented a body of knowledge. Some also encoded the seasonal calendar. Kelly argues further that access to knowledge was restricted to initiated groups, with a hierarchy of knowledge held by a hierarchy of elders, on a continuum from public knowledge to highly restricted knowledge. In line with this, memory sites had both public and restricted areas; the public areas were for performance of songs and dances, and the restricted areas were for restricted performance and higher-level initiation into knowledge. Kelly argues that societies creating such monuments were relatively egalitarian; the labour to build the memory spaces, which involved huge numbers of man hours, appears to have been freely given, and any elite burials found at such sites ,ie where grave goods have been have been part of the burial, appear chronologically later in the history of the site, and often not at all. This suggests, she says, that knowledge, rather than wealth or military power, animated the societies that built the memory spaces. Wealth and might came later, superseding knowledge, and the memory spaces gradually fell into disuse.
Kelly then goes on to look in detail at a number of memory spaces which she believes fit this pattern. The best known (to me, anyway) are Stonehenge and the standing stones and earthworks around Avebury. Similar monuments also exist in Brittany. But comparable memory spaces, can, she says, also be found in Orkney, and in Ireland. Then, perhaps more surprisingly, she uses examples from the Americas, suggesting that the creation of these memory spaces is a natural human reaction, rather than a learnt one, as these cultures can not have had any contact with the European ones. I found these sections of the book particularly interesting as I was completely ignorant of these cultures.
So it she right? She certainly assembles a convincing array of archaeological evidence, as well as the little remaining oral evidence from descendants of those who used the memory spaces. Earlier archaeologists tended to see the sites she describes in religious terms, and to label any portable items as ritualistic. Kelly suggests the emphasis on religion is a reflection of modern concerns for which there is not much archaeological evidence. She writes, for example, that attempts ‘to marry the actions of non-literate cultures to behaviours in contemporary Western religions acted as a barrier to understanding these complex sites’. She agrees that the chanting and dance that she believes were characteristic of the memory spaces did have a spiritual or aesthetic side, but sees much of it as the promulgation of practical information – though she would argue that knowledge was holistic, containing layers of complexity that could combine all these elements. I certainly find her argument convincing.
As a book, I did find it a bit repetitious in places; she perhaps overdoes the need to hammer home her argument in the simplest of terms. I would also have liked a coherent argument about the earlier misinterpretation of the sites she describes. I also question her use of the term egalitarian for the societies she is describing; they were clearly hierarchical to a considerable degree, though not necessarily rigidly so. I think it likely that there were ordained roles, some granted more respect than others. She is not able to talk much about whether there were gendered roles, though there probably were; one example she gives is from Pueblo culture where men used a coded language that ‘women would not be able to understand’. For me, the saddest thing is that we can’t know: the content of most of the knowledge is gone beyond recall. It is particularly sad that this is true for much of the culture of Indigenous Australians, despite their tenacious efforts to hold onto what they can.
Kelly says she has tried using memory spaces herself, with considerable success. I thought also of historian Tony Judt’s memoir, Memory Chalet, which is based on the same technique. I don’t think I can manage it though.
You can read more about Lynne Kelly here.
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